Professional Experience
2010 - Present: Sound Designer, Self Employed
Designs sound on a wide range of projects that explore the creative possibilities of emerging digital and virtual technologies for award-winning organizations and individuals.
2020 – Present: Assistant Professor of Music Technology, Columbia College Chicago
Teach undergraduate and graduate courses. Coordinate the weekly Music Composition Forums. Manage equipment, facilities, and student workers. Control scheduling, purchasing, and advise in college/program development. Serve on various committees and task forces.
2019 – 2020: Practitioner-in-Residence of Digital Music Technology, Columbia College Chicago
Taught undergraduate and graduate courses. Coordinated the weekly Music Composition Forums. Managed equipment, facilities, and student workers. Controlled scheduling, purchasing, and advised in college/program development. Served on various committees and task forces.
2011 – Present: Private Lesson Instructor, Columbia College Chicago
Teach private lessons in Electronic Music Composition & Performance [all levels]
2019 – 2020: Course Facilitator, Columbia College Chicago Online
Course taught: Sound Design and Music for Immersive Media
2011 – 2019: Digital Music Lab Manager, Columbia College Chicago
Managed equipment and facilities. Controlled scheduling, purchasing, and advised in program development
2011 – 2019: Adjunct Faculty, Music Composition, Northwestern University
Courses taught: Introduction to Music Technology, Foundations of Music Technology, Class Composition
2011 – 2019: Adjunct Faculty, Columbia College Chicago
Courses taught: Introduction to Pro Tools / MIDI, Advanced MIDI, Digital Music Composition and Performance I & II, MFA Lab Year One & Two, The Sonic Experience, Media Music Tech Lab, Experimental Sound Ensemble, assorted directed studies
2013 – 2016: High School Summer Institute Instructor, Columbia College Chicago
Courses taught: Introduction to MIDI, Introduction to Digital Music Production and Performance
2012 – 2014: Graduate Teaching Assistant, Northwestern University
Courses taught: Freshman Aural Skills I, II & III, Assistant to the Music Technology Department
2009 – 2012: Music Copyist and Arranger, Silent Press Collective
John Hagstrom (Chicago Symphony Orchestra), Marcos Balter, Nathan Davis, and others
2008 – 2009: New Music Ensemble Assistant Director, Columbia College Chicago
Private and group instruction [all levels], repertoire development, scheduling, and leading rehearsals
2005 – 2007: Percussion Ensemble Assistant Director, Ida Price Middle School
Private and group instruction [all levels], repertoire development, scheduling, and leading rehearsals
2006 – 2007: Percussion Instructor, Leigh High School
Private and group instruction [all levels]
Creative Projects
Items that have been crossed out were cancelled due to the COVID-19 Pandemic.
2024.04: Pontoco [Seatle, WA]–– “The Last Clockwinder” - Hand-tracking Update
Sound Designer for the hand-tracking update to a VR game
2023.08: Soulens [Minneapolis, MN]–– “Blight”
Composer for a short film directed by Markus Hoeckner and staring Somali-American actor Barkhad Abdirahman
2023.06: Humancraft [San Francisco, CA]–– “Heartbeat Installation”
Composer and Music Programmer with Waveplant for an interactive installation that generated music based upon six participants realtime heart data
2023.06: Humancraft [New York, NY]–– “Heartbeat Installation”
Composer and Music Programmer with Waveplant for an interactive installation that generated music based upon six participants realtime heart data
2023.03: Jellyvision [Chicago, IL]–– “Alex - Medical”
Sound Designer with Waveplant for an interactive employee benefits onboarding system
2022.10: Ragdale Foundation [Lake Forest, IL]–– “THEOREM”
Sound Designer for a mixed-media concert experience with the Theorem Collective
2022.08: Beam-Suntory [New York, NY]–– “Lobby Media Installation”
Sound and Music Designer with Waveplant for an interactive mixed-media installation at the Beam-Suntory Headquarters.
2022.06: Pontoco [Seatle, WA]–– “The Last Clockwinder”
Sound Designer for a VR game
2022.06: Reykjavik Arts Festival [Reykjavík, Iceland]—“ENIGMA”
Sound Designer and audio programmer for an immersive concert experience with Spektral Quartet
2021.06: T-Mobile [Seatle, WA]–– “5G&me Experience Center”
Music and Sound Designer for an interactive installation with Waveplant and Envoy
2022.04: Adler Planetarium [Chicago, IL]—“Looking Skyward”
Sound Designer and audio programmer for an immersive concert experience with Spektral Quarter
2022.04: Jellyvision [Chicago, IL]–– “Alex - Retirement”
Sound Designer with Waveplant for an interactive employee benefits onboarding system
2021.01: Height [Sanfrancisco, CA]–– “Height App”
Sound Designer with Waveplant for a task management app
2020.11: Scripts Records [Chicago, IL]–– “Swing Suck Swaddle Side Sound”
Composed an original electronics work for inclusion on a compilation album released by Scripts Records. All sales were donated to My Block My Hood My City.
2020.09: Farnsworth House [Plano, IL]—“Theorem”
Performer/Sound Designer for an interdisciplinary performance/installation piece with poet Elizabeth Bradfield, visual artist Antonia Contro, animator Joseph Meredith, composer Eliza Brown, and violinist Clara Lyon
2020.06: Reykjavik Arts Festival [Reykjavik, Iceland]—“Looking Skyward”
Production Manager/Sound Designer for Spektral String Quartet
2020.06: International Planetarium Society Conference [Edmonton, Alberta]—“Looking Skyward”
Production Manager/Sound Designer for Spektral String Quartet
2020.06: Adler Planetarium [Chicago, IL]—“Looking Skyward”
Production Manager/Sound Designer for Spektral String Quartet
2020.04: Converse College [Spartanburg, SC]—“Looking Skyward”
Production Manager/Sound Designer for Spektral String Quartet
2020.04 Byte [Social Media App]—“Byte Beats Program”
Created twenty 6-second musical loops for synchronization with user-created content
2020.04: University of California, San Diego [La Jolla, CA]—“Looking Skyward”
Production Manager/Sound Designer for Spektral String Quartet
2020.03: Big Ears Festival [Knoxville, TN]—“Looking Skyward”
Production Manager/Sound Designer for Spektral String Quartet
2020.03: St. James Cathedral [Chicago, IL]—“Lost Objects”
Live Electronics Performer/Sound Designer for a performance of “Lost Object” by composers David Lang, Julia Wolfe, and Michael Gordon. Performed with Bella Voce + Bella Voce Sinfonia, conducted by Andrew Lewis
2020.03: St. Luke’s Cathedral [Evanston, IL]—“Lost Objects”
Live Electronics Performer/Sound Designer for a performance of “Lost Object” by composers David Lang, Julia Wolfe, and Michael Gordon. Performed with Bella Voce + Bella Voce Sinfonia, conducted by Andrew Lewis
2020.03: Chicago Arts Club [Chicago, IL]–“If you’ve got a blacklist, I want to be on it”
Live mixed media performance with artistic duo Industry of the Ordinary and cellist Katinka Kleijn
2020.03: WNDR MUSEUM [Chicago, IL]–“WNDR MUSEUM”
Custom interactive music and software for a reactive audio-visual installation in partnership with Waveplant and Midwest Immersive
2019.12: University of Denver [Denver, CO]—“Looking Skyward”
Production Manager/Sound Designer for Spektral String Quartet
2019.11: University of Chicago [Chicago, IL]—“Quiet Cloister”
Sound Installation with composer Nomi Epstein for the University of Chicago’s 2020 “Chicago Sound Show”
2019.11: University of Chicago [Chicago, IL]—“Looking Skyward”
Production Manager/Sound Designer for Spektral String Quartet
2019.11: New Orleans University [New Orlean, LA]—“Looking Skyward”
Production Manager/Sound Designer for Spektral String Quartet
2019.10: Kennedy Center [Washington, D.C.]—“Looking Skyward”
Production Manager/Sound Designer for Spektral String Quartet
2019.03: Eckhart Park Pool [Chicago, IL]—“Water on the Bridge”
Performer/Sound Designer with Katinka Kliejn and Lia Kohl
2018.05: Symphony Hall [Chicago, IL]— “Related Rocks” by Magnus Lindberg
Electronics Programmer/Designer for the Chicago Symphony Orchestra’s MusicNow Series
2018.03: Elastic Arts [Chicago, IL]— “There is Absolutely Nothing Lonelier”
Composer/Performer with composer/performer Ryan Ingebritsen
2018.02: University of North Carolina at Chapel Hill [Chapel Hill, SC]––”Katinka Kleijn Solo Performance”
Performer/Sound Designer with cellist Katinka Kleijn and composer/performer Du Yun
2018.01: Symphony Hall [Chicago, IL]— “Ask Your Mama”
Electronics performer with the Chicago Sinfonetta
2017.11: Audio Art Festival [Kraków, Poland]— “There is Absolutely Nothing Lonelier”
Composer/Performer with composer/performer Ryan Ingebritsen
2017.11: Comfort Station [Chicago, IL]— “There is Absolutely Nothing Lonelier”
Composer/Performer with composer/performer Ryan Ingebritsen
2017.08: Slate Arts [Chicago, IL]— “The Slate Arts Set”
Solo electronics performance with a modular synthesizer and laptop
2017.07: Township [Chicago, IL]— “The Township Set”
Solo electronics performance with a modular synthesizer and laptop
2017.05: Northwestern University’s Center for Interdisciplinary Exploration & Research in Astrophysics [Evanston, IL]— “#Particle_System_Study 07”
Audio/Visual performance of fixed media piece
2017.03: The Hungry Brain [Chicago, IL]— “The Hungry Brain Set”
Solo electronics performance with a modular synthesizer and laptop
2017.03: Constellation [Chicago, IL]— “tʁistɛsə”
Performance of original composition by Quince Contemporary Vocal Ensemble
2016.05: Northwestern University [Evanston, IL]— “Fly into the Light”, “Cog”, “Ga Sa Ra”, and “Groove IV & V”
Electronics Performer/Sound Designer for original works by composer LJ White
2016.02: Northwestern University [Evanston, IL]— “Diligence is to Magic as Progress is to Flight”
Electronics Performer/Sound Designer for original work by composer/performer Katherine Young and violinist Austin Wulliman
2015.10: Northwestern University [Evanston, IL]–”#HopeInAnyOther”
Installation/Performance for public participants and smartphones created in collaboration with engineering students and Northwestern University
2015.11: Northwestern University [Evanston, IL]–“Migration”
Audio/Visual Installation which reanimated abandoned industrial spaces with projection mappings
2015.05: National Museum of Health + Medicine Chicago [Chicago, IL]— “Untitled”
SOUND ROOM collective performance of original works for surround sound audio installations
2014.10: Northwestern University [Evanston, IL]–“Improbable Spaces”
Created impossible acoustic spaces in various locations with installed microphones, speakers, and audio effect processors
2014.10: Library of Congress [Washington, DC]— “Intelligence in the Human-Machine”
Electronics Performer/Sound Designer/Composer. Performance of original work for cello, EEG headset, live electronics, theatrical lighting, projection, and surround sound with cellist Katinka Kleijn
2014.09: Northwestern University [Evanston, IL]–“Visual Sound”
Connected sound and visual patterns through audio-speaker components, light projectors, and various found objects
2014.06: Constellation [Chicago, IL]— “Trompe l’Corps”
Electronics Performer/Sound Designer/Composer. Performance of original work for chamber ensemble, live electronics, theatrical lighting, and surround sound with the International Contemporary Ensemble
2014.06: Computer Music Studio, University of Chicago [Chicago, IL]— “Response Feedback”
Electronics Performer/Composer. Performance of original work for solo electronics and surround sound
2014.01: Fifth Floor Collective [Boston, MA]— “Object in This Mirror”
Solo performance of original work for live electronics
2013.12: Roulette [New York, NY]— “Trompe l’Corps”
Electronics Performer/Sound Designer/Composer. Performance of original work for chamber ensemble, live electronics, theatrical lighting, and surround sound with the International Contemporary Ensemble
2013.10: Public Works Gallery [Chicago, IL]— “Archizine Installation”
Performance of an interactive audio installation with composer/performer Kyle Vegter
2013.09: Northwestern University [Evanston, IL]–“Feedback Box”
Custom interactive audio box made from wood and electronics parts
2013.06: Millenium Park’s Jay Pritzker Pavillion [Chicago, IL]— “Confiteor”
Composer/Performer. Performance of an original work for soprano, flute, alto flute, and live electronics with Fonema Consort
2013.06: Millenium Park’s Jay Pritzker Pavillion [Chicago, IL]— “tʁistɛsə”
Composer/Performer. Performance of an original work for soprano, flute, alto flute, cello, and live electronics with Fonema Consort
2013.05: Pop-Up Arts Space [Chicago, IL]— “If it encounters the animal, if it becomes animalized...”
Performance of an original work for solo cello by Chris Wild
2013.02: Northwestern University [Evanston, IL]–”We Communicate”
Participatory installation of sending letters to an undisclosed “close friend” by strangers
2013.01: Corbett vs. Dempsey [Chicago, IL]— “Violence For Isolation”
Performance of an original work for solo bassoon and live electronics with Rebekah Heller
2013.01: Chicago Cultural Center [Chicago, IL]— “Intelligence in the Human-Machine”
Electronics Performer/Sound Designer/Composer. Performance of original work for cello, EEG headset, live electronics, theatrical lighting, projection, and surround sound with cellist Katinka Kleijn
2012.12: KROME Gallery [Berlin, Germany]— “Violence For Isolation”
Performance of an original work for solo bassoon and live electronics with Rebekah Heller
2012.11: Central Connecticut State University [New Britain, CT]— “Vexation Variation”
Performance of an original work chamber ensemble by the Generous Ensemble
2012.11: High Concept Laboratories [Chicago, IL]— “Speaker Symphony No. 1”
Performance of an original work for live electronics and multi-floor speaker installation
2012.06: Defibrillator Gallery [Chicago, IL]– “GPS Trans”
Multimedia performance and Installation with Marek Chołoniewski, Katherine Young, Kyle Vegter, David Paha, Edward Hamel, and Ryan Ingebritsen
2012.09: Torp Theatre [New Britain, CT]— “Vexation Variation”
Performance of an original work chamber ensemble by the Generous Ensemble
2012.08: The Empty Bottle [Chicago, IL]— ”Sterile Contaminant”
Performance of an original work for string quartet by Spektral Quartet
2012.08: Centro Cultrural de España [San Jose, Costa Rica]— “tʁistɛsə”
Performance of an original work for soprano, two voices, and cello by Ensemble Vulpine Lupin
2012.08: MoMA [New York, NY]— “RENGA/Cage/100
Performance of an original work for percussion ensemble by Third Coast Percussion
2012.08: Kennedy Center [New York, NY]— “RENGA/Cage/100
Performance of an original work for percussion ensemble by Third Coast Percussion
2012.07: Mass MOCA [North Adams, MA]— “Objects in Absence”
Performance of an original work for chamber orchestra and abandon industrial building by members of the 2012 Bang on a Can Summer Music Institute
2012.07: Mass MOCA [North Adams, MA]— “Nostalgia for the Light”
Performance of an original work for piano and two contrabasses by members of the 2012 Bang on a Can Summer Music Institute
2012.07: Mass MOCA [North Adams, MA]— “Confiteor”
Performance of an original work for voice, flute, alto flute, and live electronics by members of the 2012 Bang on a Can Summer Music Institute
2012.06: Mayne Stage [Chicago, IL]— “RENGA/Cage/100
Performance of an original work for percussion ensemble by Third Coast Percussion
2012.04: Pilgrim Congregational [Oak Park, IL]— “tʁistɛsə”
Performance of an original work for soprano, flute, alto flute, cello, and live electronics by Ensemble Vulpine Lupin
2012.02: Pilgrim Congregational [Oak Park, IL]— “tʁistɛsə”
Performance of an original work for soprano, flute, alto flute, cello, and live electronics by Ensemble Vulpine Lupin
2012.02: Lifeline Theatre [Chicago, IL]— “Confiteor”
Performance of an original work for soprano, flute, alto flute, and live electronics with Ensemble Vulpine Lupin
2011.12: University of Chicago [Chicago, IL]— “Da-Sein”
Performance of an original work for baritone saxophone and live electronics with Ryan Muncy
2011.11: Jennifer Norback Fine Arts Gallery [Chicago, IL]— “Deceit of Reason”
Live electronics improvisation with composer/performer David Paha
2011.06: High Concept Laboratories [Chicago, IL]— “The Secret Vestiges of Perfection”
Live electronics improvisation with custom-built electronic instruments
2011.05: St. Paul’s Church [Chicago, IL]— “The Aptō Set”
Performance of an original work for soprano, clarinet, bassoon, cello, and percussion. Performed by Nina Dante, Cory Tiffen, David Eisenreich, Robert Reinhart, and Mira Luxion. Conducted by Chris Wild
2011.04: [New York, NY] — “tʁistɛsə”
Performance of an original work for soprano, two voices, and cello by Quince Contemporary Vocal Ensemble
2010.12: Columbia College Chicago [Chicago, IL]— “Figured Perceptions”
Performance of an original work for orchestra by the Chicago Composers Orchestra
2010.05: Columbia College Chicago [Chicago, IL]— “In Listening”
Performance of an original work for chamber orchestra by the ensemble Dal Niente
Committee Membership
2021-Present: New A/V Programs Advisory Committee, Harper College
2021-Present: Music Department Planning Committee, Columbia College Chicago
2019-Present: Bachelor of Science in Music Technology Curriculum Committee, Columbia College Chicago
2019-Present: Music Curriculum Committee, Columbia College Chicago
2019-Present: Deep Dish Music Festival Planning Committee, Columbia College Chicago
2021-Present: Academic Technology Steering Committee, Columbia College Chicago
2022-2023: Co-Chair of Academic Affairs Committee, Columbia College Chicago
2021-2023: Certificates Programs Ad Hoc Committee, Columbia College Chicago
2021-2023: Faculty Senate, Columbia College Chicago
2011-2020: Academic Technology Coordinator Committee, Columbia College Chicago
Discography
2020: Swing Suck Swaddle Side Sound. Scripts Records, Daniel Dehaan
2017: Sunday Drone 2017.12.17. Bandcamp, Daniel Dehaan
2017: Sunday Drone 2017.12.10. Bandcamp, Daniel Dehaan
2017: Sunday Drone 2017.12.03. Bandcamp, Daniel Dehaan
2017: The Township Set - 2017-07-27. Bandcamp, Daniel Dehaan
2017: Of sun and machine. tunecore, Daniel Dehaan
2017: A nostalgia fore the light. tunecore, Daniel Dehaan
2017: Experimental Systems - 01. tunecore, Daniel Dehaan
2017: The Hungry Brain Set - March 2017. Bandcamp, Daniel Dehaan
2014: Abhanden. Navona Records, Chris Wild
2013: AND+. Parlour Tapes+ Tape Label, Various
Teaching Experience
2024 Spring: Columbia College Chicago
MUSC-175 Applied Music II (Laptop)
MUSC-228: Digital Music Composition & Performance
MUSC-601: Media Music Tech Lab First-Year Grad Lab
2023 Fall: Columbia College Chicago
MUSC-174 Applied Music I (Laptop)
MUSC-228: Digital Music Composition & Performance
MUSC-601: Media Music Tech Lab First-Year Grad Lab
2023 Spring: Columbia College Chicago
MUSC-175: Applied Music II (Laptop)
MUSC-228: Digital Music Composition & Performance
MUSC-601: Media Music Tech Lab Second-Year Grad Lab
2022 Fall: Columbia College Chicago
MUSC-174: Applied Music I (Laptop)
MUSC-601: Media Music Tech Lab First-Year Grad Lab
Granted a course relief to develop projects for tenure process
2022 Spring: Columbia College Chicago
MEDI-481: The Sonic Experience
MUSC-228: Digital Music Composition & Performance
MUSC-272: Secondary Digital Music Composition Lessons
MUSC-373: Digital Music Composition Lessons, Level 1
MUSC-473: Digital Music Composition Lessons, Level 2
MUSC-601: Media Music Tech Lab First-Year Grad Lab
2021 Fall: Columbia College Chicago
MUSC-109: Foundations of Music Supplement
MUSC-228: Digital Music Composition & Performance
MUSC-272: Secondary Digital Music Composition Lessons
MUSC-373: Digital Music Composition Lessons, Level 1
MUSC-473: Digital Music Composition Lessons, Level 2
MUSC-601: Media Music Tech Lab Second-Year Grad Lab
2021 Summer: Columbia College Chicago
MUSC-151: Digital Music Production 1
2021 Spring: Columbia College Chicago
MUSC-111: Foundations of Music 2
MUSC-228: Digital Music Composition & Performance 1
MUSC-272: Secondary Digital Music Composition Lessons
MUSC-373: Digital Music Composition Lessons, Level 1
MUSC-473: Digital Music Composition Lessons, Level 2
MUSC-495: Directed Study - Mixing and Mastering MIDI Mock-Ups
MUSC-601: Media Music Tech Lab First-Year Grad Lab
2020 Fall: Columbia College Chicago
AUDI-496: Independent Project - Music Mastering
MUSC-228: Digital Music Composition & Performance 1
MUSC-373: Digital Music Composition Lessons, Level 1
MUSC-473: Digital Music Composition Lessons, Level 2
MUSC-495: Directed Study - Realistic MIDI Mock-Ups
MUSC-601: Media Music Tech Lab First-Year Grad Lab
MUSC-601: Media Music Tech Lab Second-Year Grad Lab
2020 Summer: Columbia College Chicago - Online
Sound Design for Immersive Media
2020 Summer: Columbia College Chicago
MUSC-151: Digital Music Production 1
2020 Spring: Columbia College Chicago - Online
Sound Design for Immersive Media
2020 Spring: Columbia College Chicago
AUDI-496: Independent Project - Building Advanced Modular Devices
MEDI-481: The Sonic Experience
MUSC-228: Digital Music Composition & Performance 1
MUSC-272: Secondary Digital Music Composition Lessons
MUSC-373: Digital Music Composition Lessons, Level 1
MUSC-473: Digital Music Composition Lessons, Level 2
MUSC-601: Media Music Tech Lab First-Year Grad Lab
2019 Fall: Columbia College Chicago - Online
Sound Design for Immersive Media
2019 Fall: Columbia College Chicago
MUSC-228: Digital Music Composition & Performance 1
MUSC-373: Digital Music Composition Lessons, Level 1
MUSC-473: Digital Music Composition Lessons, Level 2
MUSC-601: Media Music Tech Lab First-Year Grad Lab
MUSC-601: Media Music Tech Lab Second-Year Grad Lab
2019 Summer: Columbia College Chicago
MUSC-151: Digital Music Production 1
2019 Spring: Northwestern University
Foundations of Music Technology
2019 Spring: Columbia College Chicago
MUSC-272: Secondary Digital Music Composition Lessons
MUSC-373: Digital Music Composition Lessons, Level 1
MUSC-428: Digital Music Composition & Performance 2
MUSC-473: Digital Music Composition Lessons, Level 2
MUSC-475: Private Lessons - Senior Recital
MUSC-601: Media Music Tech Lab First-Year Grad Lab
2019 Winter: Northwestern University
Foundations of Music Technology
2018 Fall: Columbia College Chicago
MUSC-228: Digital Music Composition & Performance 1
MUSC-373: Digital Music Composition Lessons, Level 1
MUSC-473: Digital Music Composition Lessons, Level 2
MUSC-601: Lab (Tutorial) Year One Grad Lab
MUSC-601: Lab (Tutorial) Year Two Grad Lab
2018 Fall: Northwestern University
Foundations of Music Technology
2018 Spring: Northwestern University
Foundations of Music Technology
2018 Spring: Columbia College Chicago
32-3262: Digital Music Composition & Performance 2
32-2791: Digital Music Composition Lessons, Level 1
32-3791: Digital Music Composition Lessons, Level 2
32-6901: Lab (Tutorial) Year One Grad Lab
75-3101: The Sonic Experience
2018 Winter: Northwestern University
Foundations of Music Technology
2017 Fall: Columbia College Chicago
32-2261: Digital Music Composition & Performance 1
32-2791: Digital Music Composition Lessons, Level 1
32-3791: Digital Music Composition Lessons, Level 2
32-3797: Private Lessons: Senior Recital
32-6901: Lab (Tutorial) Year One Grad Lab
32-6901: Lab (Tutorial) Year Two Grad Lab
2017 Fall: Northwestern University
Foundations of Music Technology
2017 Summer: Columbia College Chicago
32-1915T: Technology for Musicians I
2017 Spring: Northwestern University
Foundations of Music Technology
2017 Spring: Columbia College Chicago
32-3262: Digital Music Composition & Performance 2
32-2791: Digital Music Composition Lessons, Level 1
32-2792: Secondary Composition Lessons
32-6901: Lab (Tutorial) Year One Grad Lab
32-3995: Directed Study - Digital Music Composition
2017 Winter: Northwestern University
Foundations of Music Technology
2016 Fall: Columbia College Chicago
32-2261: Digital Music Composition & Performance 1
32-2791: Digital Music Composition Lessons, Level 1
32-2792: Secondary Composition Lessons
32-6901: Lab (Tutorial) Year One Grad Lab
32-6901: Lab (Tutorial) Year Two Grad Lab
2016 Fall: Northwestern University
Foundations of Music Technology
2016 Summer: Columbia College Chicago
32-0921: Introduction to Digital Music Production & Performance
2015 Spring: Northwestern University
Foundations of Music Technology
2016 Winter: Northwestern University
Class Composition (Music)
2015 Fall: Columbia College Chicago
32-2261: Digital Music Composition & Performance 1
32-2791: Digital Music Composition Lessons, Level 1
32-6901: Lab (Tutorial) Year Two Grad Lab
2015 Fall: Northwestern University
Foundations of Music Technology
2015 Summer: Columbia College Chicago
32-0921: Introduction to Digital Music Production & Performance
2015 Spring: Northwestern University
Foundations of Music Technology
2015 Spring: Columbia College Chicago
32-2791: Composition Lessons, Level 1
32-3791: Composition Lessons, Level 2
2015 Winter: Northwestern University
Foundations of Music Technology
2014 Fall: Columbia College Chicago
32-2791: Composition Lessons, Level 1
32-6901: Lab (Tutorial) Year One Grad Lab
32-6901: Lab (Tutorial) Year Two Grad Lab
2014 Fall: Northwestern University
Foundations of Music Technology
2014 Summer: Columbia College Chicago
32-0921: Beginning MIDI
2014 Spring: Northwestern University
Foundations of Music Technology
2014 Spring: Columbia College Chicago
32-3797: Private Lessons - Senior Recital
2014 Winter: Northwestern University
Foundations of Music Technology
2013 Fall: Northwestern University
Introduction to Music Technology
2013 Fall: Columbia College Chicago
32-2261: Digital Music Composition
2013 Summer: Columbia College Chicago
32-0921: Beginning MIDI
2013 Spring: Northwestern University
Aural Skills III
2013 Spring: Columbia College Chicago
32-3995: Directed Study - Experimental Sound Ensemble
2013 Winter: Northwestern University
Aural Skills II
2012 Fall: Northwestern University
Aural Skills I
2012 Fall: Columbia College Chicago
32-3995: Directed Study - Experimental Sound Ensemble
32-3995: Directed Study - Techniques in Electronic Composition
2012 Spring: Columbia College Chicago
32-2791: Private Lessons - Electronic Music Composition
32-2792: Secondary Private Lessons - Electronic Music Composition
32-2911: Introduction to MIDI/Pro Tools
32-3791: Private Lessons - Advanced Electronic Music Composition
2011 Fall: Columbia College Chicago
32-2912: Advanced MIDI/Pro Tools