Areas of Expertise

Sound Design

Audio Implementation & Programming

AR/VR/XR

Educational Design & Instruction

Software

DAWs

Ableton Live

Bitwig

Reaper

Logic Pro

Cubase

Pro Tools

Digital Performer

Notation

Sibelius

Finale

Dorico

MuseScore

Interactive

Unity

Unreal Engine

FMOD

Wwise

Audio Programing

Max/MSP

PureData

SuperCollider

Csound

Processing

Arduino

Teaching Expertise

Education

2019: Doctor of Musical Arts, Music Composition & Technology (with honors), Northwestern University

Dissertation: Compositional Possibilities of New Interactive and Immersive Digital Formats

2011: Bachelor of Music, Music Composition, Columbia College Chicago

2007: General Studies, West Valley Community College

2006: General Studies, Mission Community College

Professional Experience

2010 - Present: Sound Designer, Self Employed

Designs sound on a wide range of projects that explore the creative possibilities of emerging digital and virtual technologies for award-winning organizations and individuals.

2020 – Present: Assistant Professor of Music Technology, Columbia College Chicago

Teach undergraduate and graduate courses. Coordinate the weekly Music Composition Forums. Manage equipment, facilities, and student workers. Control scheduling, purchasing, and advise in college/program development. Serve on various committees and task forces.

2019 – 2020: Practitioner-in-Residence of Digital Music Technology, Columbia College Chicago

Taught undergraduate and graduate courses. Coordinated the weekly Music Composition Forums. Managed equipment, facilities, and student workers. Controlled scheduling, purchasing, and advised in college/program development. Served on various committees and task forces.

2011 – Present: Private Lesson Instructor, Columbia College Chicago

Teach private lessons in Electronic Music Composition & Performance [all levels]

2019 – 2020: Course Facilitator, Columbia College Chicago Online

Course taught: Sound Design and Music for Immersive Media

2011 – 2019: Digital Music Lab Manager, Columbia College Chicago

Managed equipment and facilities. Controlled scheduling, purchasing, and advised in program development

2011 – 2019: Adjunct Faculty, Music Composition, Northwestern University

Courses taught: Introduction to Music Technology, Foundations of Music Technology, Class Composition

2011 – 2019: Adjunct Faculty, Columbia College Chicago

Courses taught: Introduction to Pro Tools / MIDI, Advanced MIDI, Digital Music Composition and Performance I & II, MFA Lab Year One & Two, The Sonic Experience, Media Music Tech Lab, Experimental Sound Ensemble, assorted directed studies

2013 – 2016: High School Summer Institute Instructor, Columbia College Chicago

Courses taught: Introduction to MIDI, Introduction to Digital Music Production and Performance

2012 – 2014: Graduate Teaching Assistant, Northwestern University

Courses taught: Freshman Aural Skills I, II & III, Assistant to the Music Technology Department

2009 – 2012: Music Copyist and Arranger, Silent Press Collective

John Hagstrom (Chicago Symphony Orchestra), Marcos Balter, Nathan Davis, and others

2008 – 2009: New Music Ensemble Assistant Director, Columbia College Chicago

Private and group instruction [all levels], repertoire development, scheduling, and leading rehearsals

2005 – 2007: Percussion Ensemble Assistant Director, Ida Price Middle School

Private and group instruction [all levels], repertoire development, scheduling, and leading rehearsals

2006 – 2007: Percussion Instructor, Leigh High School

Private and group instruction [all levels]

Creative Projects

Items that have been crossed out were cancelled due to the COVID-19 Pandemic.

2023.08: Soulens [Minneapolis, MN]–– “Blight”

Composer for a short film directed by Markus Hoeckner and staring Somali-American actor Barkhad Abdirahman

2023.06: Humancraft [San Francisco, CA]–– “Heartbeat Installation”

Composer and Music Programmer with Waveplant for an interactive installation that generated music based upon six participants realtime heart data

2023.06: Humancraft [New York, NY]–– “Heartbeat Installation”

Composer and Music Programmer with Waveplant for an interactive installation that generated music based upon six participants realtime heart data

2023.03: Jellyvision [Chicago, IL]–– “Alex - Medical”

Sound Designer with Waveplant for an interactive employee benefits onboarding system

2022.10: Ragdale Foundation [Lake Forest, IL]–– “THEOREM”

Sound Designer for a mixed-media concert experience with the Theorem Collective

2022.08: Beam-Suntory [New York, NY]–– “Lobby Media Installation”

Sound and Music Designer with Waveplant for an interactive mixed-media installation at the Beam-Suntory Headquarters.

2022.06: Pontoco [Seatle, WA]–– “The Last Clockwinder”

Sound Designer for a VR game

2022.06: Reykjavik Arts Festival [Reykjavík, Iceland]—“ENIGMA”

Sound Designer and audio programmer for an immersive concert experience with Spektral Quartet

2021.06: T-Mobile [Seatle, WA]–– “5G&me Experience Center”

Music and Sound Designer for an interactive installation with Waveplant and Envoy

2022.04: Adler Planetarium [Chicago, IL]—“Looking Skyward”

Sound Designer and audio programmer for an immersive concert experience with Spektral Quarter

2022.04: Jellyvision [Chicago, IL]–– “Alex - Retirement”

Sound Designer with Waveplant for an interactive employee benefits onboarding system

2021.01: Height [Sanfrancisco, CA]–– “Height App”

Sound Designer with Waveplant for a task management app

2020.11: Scripts Records [Chicago, IL]–– “Swing Suck Swaddle Side Sound”

Composed an original electronics work for inclusion on a compilation album released by Scripts Records. All sales were donated to My Block My Hood My City.

2020.09: Farnsworth House [Plano, IL]—“Theorem”

Performer/Sound Designer for an interdisciplinary performance/installation piece with poet Elizabeth Bradfield, visual artist Antonia Contro, animator Joseph Meredith, composer Eliza Brown, and violinist Clara Lyon

2020.06: Reykjavik Arts Festival [Reykjavik, Iceland]—“Looking Skyward”

Production Manager/Sound Designer for Spektral String Quartet

2020.06: International Planetarium Society Conference [Edmonton, Alberta]—“Looking Skyward”

Production Manager/Sound Designer for Spektral String Quartet

2020.06: Adler Planetarium [Chicago, IL]—“Looking Skyward”

Production Manager/Sound Designer for Spektral String Quartet

2020.04: Converse College [Spartanburg, SC]—“Looking Skyward”

Production Manager/Sound Designer for Spektral String Quartet

2020.04 Byte [Social Media App]—“Byte Beats Program”

Created twenty 6-second musical loops for synchronization with user-created content

2020.04: University of California, San Diego [La Jolla, CA]—“Looking Skyward”

Production Manager/Sound Designer for Spektral String Quartet

2020.03: Big Ears Festival [Knoxville, TN]—“Looking Skyward”

Production Manager/Sound Designer for Spektral String Quartet

2020.03: St. James Cathedral [Chicago, IL]—“Lost Objects”

Live Electronics Performer/Sound Designer for a performance of “Lost Object” by composers David Lang, Julia Wolfe, and Michael Gordon. Performed with  Bella Voce + Bella Voce Sinfonia, conducted by Andrew Lewis

2020.03: St. Luke’s Cathedral [Evanston, IL]—“Lost Objects”

Live Electronics Performer/Sound Designer for a performance of “Lost Object” by composers David Lang, Julia Wolfe, and Michael Gordon. Performed with  Bella Voce + Bella Voce Sinfonia, conducted by Andrew Lewis

2020.03: Chicago Arts Club [Chicago, IL]–“If you’ve got a blacklist, I want to be on it”

Live mixed media performance with artistic duo Industry of the Ordinary and cellist Katinka Kleijn

2020.03: WNDR MUSEUM [Chicago, IL]–“WNDR MUSEUM”

Custom interactive music and software for a reactive audio-visual installation in partnership with Waveplant and Midwest Immersive

2019.12: University of Denver [Denver, CO]—“Looking Skyward”

Production Manager/Sound Designer for Spektral String Quartet

2019.11: University of Chicago [Chicago, IL]—“Quiet Cloister”

Sound Installation with composer Nomi Epstein for the University of Chicago’s 2020 “Chicago Sound Show”

2019.11: University of Chicago [Chicago, IL]—“Looking Skyward”

Production Manager/Sound Designer for Spektral String Quartet

2019.11: New Orleans University [New Orlean, LA]—“Looking Skyward”

Production Manager/Sound Designer for Spektral String Quartet

2019.10: Kennedy Center [Washington, D.C.]—“Looking Skyward”

Production Manager/Sound Designer for Spektral String Quartet

2019.03: Eckhart Park Pool [Chicago, IL]—“Water on the Bridge”

Performer/Sound Designer with Katinka Kliejn and Lia Kohl

2018.05: Symphony Hall [Chicago, IL]— “Related Rocks” by Magnus Lindberg

Electronics Programmer/Designer for the Chicago Symphony Orchestra’s MusicNow Series

2018.03: Elastic Arts [Chicago, IL]— “There is Absolutely Nothing Lonelier”

Composer/Performer with composer/performer Ryan Ingebritsen

2018.02: University of North Carolina at Chapel Hill [Chapel Hill, SC]––”Katinka Kleijn Solo Performance”

Performer/Sound Designer with cellist Katinka Kleijn and composer/performer Du Yun

2018.01: Symphony Hall [Chicago, IL]— “Ask Your Mama”

Electronics performer with the Chicago Sinfonetta

2017.11: Audio Art Festival [Kraków, Poland]— “There is Absolutely Nothing Lonelier”

Composer/Performer with composer/performer Ryan Ingebritsen

2017.11: Comfort Station [Chicago, IL]— “There is Absolutely Nothing Lonelier”

Composer/Performer with composer/performer Ryan Ingebritsen

2017.08: Slate Arts [Chicago, IL]— “The Slate Arts Set”

Solo electronics performance with a modular synthesizer and laptop

2017.07: Township [Chicago, IL]— “The Township Set”

Solo electronics performance with a modular synthesizer and laptop

2017.05: Northwestern University’s Center for Interdisciplinary Exploration & Research in Astrophysics [Evanston, IL]— “#Particle_System_Study 07”

Audio/Visual performance of fixed media piece

2017.03: The Hungry Brain [Chicago, IL]— “The Hungry Brain Set”

Solo electronics performance with a modular synthesizer and laptop

2017.03: Constellation [Chicago, IL]— “tʁistɛsə”

Performance of original composition by Quince Contemporary Vocal Ensemble

2016.05: Northwestern University [Evanston, IL]— “Fly into the Light”, “Cog”, “Ga Sa Ra”, and “Groove IV & V”

Electronics Performer/Sound Designer for original works by composer LJ White

2016.02: Northwestern University [Evanston, IL]— “Diligence is to Magic as Progress is to Flight”

Electronics Performer/Sound Designer for original work by composer/performer  Katherine Young and violinist Austin Wulliman

2015.10: Northwestern University [Evanston, IL]–”#HopeInAnyOther”

Installation/Performance for public participants and smartphones created in collaboration with engineering students and Northwestern University

2015.11: Northwestern University [Evanston, IL]–“Migration”

Audio/Visual Installation which reanimated abandoned industrial spaces with projection mappings

2015.05: National Museum of Health + Medicine Chicago [Chicago, IL]— “Untitled”

SOUND ROOM collective performance of original works for surround sound audio installations

2014.10: Northwestern University [Evanston, IL]–“Improbable Spaces”

Created impossible acoustic spaces in various locations with installed microphones, speakers, and audio effect processors

2014.10: Library of Congress [Washington, DC]— “Intelligence in the Human-Machine”

Electronics Performer/Sound Designer/Composer. Performance of original work for cello, EEG headset, live electronics, theatrical lighting, projection, and surround sound with cellist Katinka Kleijn

2014.09: Northwestern University [Evanston, IL]–“Visual Sound”

Connected sound and visual patterns through audio-speaker components, light projectors, and various found objects

2014.06: Constellation [Chicago, IL]— “Trompe l’Corps”

Electronics Performer/Sound Designer/Composer. Performance of original work for chamber ensemble, live electronics, theatrical lighting, and surround sound with the International Contemporary Ensemble 

2014.06: Computer Music Studio, University of Chicago [Chicago, IL]— “Response Feedback”

Electronics Performer/Composer. Performance of original work for solo electronics and surround sound 

2014.01: Fifth Floor Collective [Boston, MA]— “Object in This Mirror”

Solo performance of original work for live electronics

2013.12: Roulette [New York, NY]— “Trompe l’Corps”

Electronics Performer/Sound Designer/Composer. Performance of original work for chamber ensemble, live electronics, theatrical lighting, and surround sound with the International Contemporary Ensemble

2013.10: Public Works Gallery [Chicago, IL]— “Archizine Installation”

Performance of an interactive audio installation with composer/performer Kyle Vegter

2013.09: Northwestern University [Evanston, IL]–“Feedback Box”

Custom interactive audio box made from wood and electronics parts

2013.06: Millenium Park’s Jay Pritzker Pavillion [Chicago, IL]— “Confiteor”

Composer/Performer. Performance of an original work for soprano, flute, alto flute, and live electronics with Fonema Consort

2013.06: Millenium Park’s Jay Pritzker Pavillion [Chicago, IL]— “tʁistɛsə”

Composer/Performer. Performance of an original work for soprano, flute, alto flute, cello, and live electronics with Fonema Consort

2013.05: Pop-Up Arts Space [Chicago, IL]— “If it encounters the animal, if it becomes animalized...”

Performance of an original work for solo cello by  Chris Wild

2013.02: Northwestern University [Evanston, IL]–”We Communicate”

Participatory installation of sending letters to an undisclosed “close friend” by strangers

2013.01: Corbett vs. Dempsey [Chicago, IL]— “Violence For Isolation”

Performance of an original work for solo bassoon and live electronics with Rebekah Heller

2013.01: Chicago Cultural Center [Chicago, IL]— “Intelligence in the Human-Machine”

Electronics Performer/Sound Designer/Composer. Performance of original work for cello, EEG headset, live electronics, theatrical lighting, projection, and surround sound with cellist Katinka Kleijn

2012.12: KROME Gallery [Berlin, Germany]— “Violence For Isolation”

Performance of an original work for solo bassoon and live electronics with Rebekah Heller

2012.11: Central Connecticut State University [New Britain, CT]— “Vexation Variation”

Performance of an original work chamber ensemble by the Generous Ensemble

2012.11: High Concept Laboratories [Chicago, IL]— “Speaker Symphony No. 1”

Performance of an original work for live electronics and multi-floor speaker installation

2012.06: Defibrillator Gallery [Chicago, IL]– “GPS Trans”

Multimedia performance and Installation with Marek Chołoniewski, Katherine Young, Kyle Vegter, David Paha, Edward Hamel, and Ryan Ingebritsen

2012.09: Torp Theatre [New Britain, CT]— “Vexation Variation”

Performance of an original work chamber ensemble by the Generous Ensemble

2012.08: The Empty Bottle [Chicago, IL]— ”Sterile Contaminant”

Performance of an original work for string quartet by Spektral Quartet

2012.08: Centro Cultrural de España  [San Jose, Costa Rica]— “tʁistɛsə”

Performance of an original work for soprano, two voices, and cello by Ensemble Vulpine Lupin

2012.08: MoMA [New York, NY]— “RENGA/Cage/100

Performance of an original work for percussion ensemble by Third Coast Percussion

2012.08: Kennedy Center [New York, NY]— “RENGA/Cage/100

Performance of an original work for percussion ensemble by Third Coast Percussion

2012.07: Mass MOCA [North Adams, MA]— “Objects in Absence”

Performance of an original work for chamber orchestra and abandon industrial building by members of the 2012 Bang on a Can Summer Music Institute

2012.07: Mass MOCA [North Adams, MA]— “Nostalgia for the Light”

Performance of an original work for piano and two contrabasses by members of the 2012 Bang on a Can Summer Music Institute

2012.07: Mass MOCA [North Adams, MA]— “Confiteor”

Performance of an original work for voice, flute, alto flute, and live electronics by members of the 2012 Bang on a Can Summer Music Institute

2012.06: Mayne Stage [Chicago, IL]— “RENGA/Cage/100

Performance of an original work for percussion ensemble by Third Coast Percussion

2012.04: Pilgrim Congregational [Oak Park, IL]— “tʁistɛsə”

Performance of an original work for soprano, flute, alto flute, cello, and live electronics by Ensemble Vulpine Lupin

2012.02: Pilgrim Congregational [Oak Park, IL]— “tʁistɛsə”

Performance of an original work for soprano, flute, alto flute, cello, and live electronics by Ensemble Vulpine Lupin

2012.02: Lifeline Theatre [Chicago, IL]— “Confiteor”

Performance of an original work for soprano, flute, alto flute, and live electronics with Ensemble Vulpine Lupin

2011.12: University of Chicago [Chicago, IL]— “Da-Sein”

Performance of an original work for baritone saxophone and live electronics with Ryan Muncy

2011.11: Jennifer Norback Fine Arts Gallery [Chicago, IL]— “Deceit of Reason”

Live electronics improvisation with composer/performer David Paha

2011.06: High Concept Laboratories [Chicago, IL]— “The Secret Vestiges of Perfection”

Live electronics improvisation with custom-built electronic instruments

2011.05: St. Paul’s Church [Chicago, IL]— “The Aptō Set”

Performance of an original work for soprano, clarinet,  bassoon,  cello, and percussion. Performed by Nina Dante, Cory Tiffen, David Eisenreich, Robert Reinhart, and Mira Luxion. Conducted by Chris Wild 

2011.04: [New York, NY] — “tʁistɛsə”

Performance of an original work for soprano, two voices, and cello by Quince Contemporary Vocal Ensemble

2010.12: Columbia College Chicago [Chicago, IL]— “Figured Perceptions”

Performance of an original work for orchestra by the Chicago Composers Orchestra 

2010.05: Columbia College Chicago [Chicago, IL]— “In Listening”

Performance of an original work for chamber orchestra by the ensemble Dal Niente

Committee Membership

2021-Present: New A/V Programs Advisory Committee, Harper College

2021-Present: Music Department Planning Committee, Columbia College Chicago

2019-Present: Bachelor of Science in Music Technology Curriculum Committee, Columbia College Chicago

2019-Present: Music Curriculum Committee, Columbia College Chicago

2019-Present: Deep Dish Music Festival Planning Committee, Columbia College Chicago

2021-Present: Academic Technology Steering Committee, Columbia College Chicago

2022-2023: Co-Chair of Academic Affairs Committee, Columbia College Chicago

2021-2023: Certificates Programs Ad Hoc Committee, Columbia College Chicago

2021-2023: Faculty Senate, Columbia College Chicago

2011-2020: Academic Technology Coordinator Committee, Columbia College Chicago

Discography

2020: Swing Suck Swaddle Side Sound. Scripts Records, Daniel Dehaan

2017: Sunday Drone 2017.12.17. Bandcamp, Daniel Dehaan

2017: Sunday Drone 2017.12.10. Bandcamp, Daniel Dehaan

2017: Sunday Drone 2017.12.03. Bandcamp, Daniel Dehaan

2017: The Township Set - 2017-07-27. Bandcamp, Daniel Dehaan

2017: Of sun and machine. tunecore, Daniel Dehaan

2017: A nostalgia fore the light. tunecore, Daniel Dehaan

2017: Experimental Systems - 01. tunecore, Daniel Dehaan

2017: The Hungry Brain Set - March 2017. Bandcamp, Daniel Dehaan

2014: Abhanden. Navona Records, Chris Wild

2013: AND+. Parlour Tapes+ Tape Label, Various

RESIDENCIES, FELLOWSHIPS, GRANTS, CONFERENCES, & SCHOLARSHIPS

2023: Festival, Deep Dish Music Festival, Columbia College Chicago

2023: Conference, Music Production Workshop, IMEC

2022: Residency, THEOREM Artists Collective, Ragdale Foundation, Lake Forest, IL

2022: Conference, College Fair Presenter, IMEC

2021: Festival, Deep Dish Music Festival, Columbia College Chicago

2020: Festival, Deep Dish Music Festival, Columbia College Chicago

2019: Festival, Deep Dish Music Festival, Columbia College Chicago

2019: Grant, Wyatt Fund Recipient, Northwestern University

2017: Fellowship, Field Fellow, University of Chicago, Chicago, IL

2015: Scholarship, Grace Fox Congdon, Northwestern University

2014: Scholarship, Grace Fox Congdon, Northwestern University

2013: Residency, ICElab, International Contemporary Ensemble, New York, NY

2013: Grant, Wyatt Fund Recipient, Northwestern University

2012: Fellowship, ASCAP, Bang On A Can Summer Music Festival, North Adams, MA

2012: Residency, High Concept Laboratories, Chicago, IL

2012: Festival, Bang On A Can Summer Music Festival, North Adams, MA

2012: Scholarship, School of Music Eckstein Fund, Northwestern University

2011: Scholarship, Music Studies, Columbia College Chicago

Teaching Experience

2023 Spring: Columbia College Chicago

MUSC-175: Applied Music II (Laptop)

MUSC-228: Digital Music Composition & Performance

MUSC-601: Media Music Tech Lab Second-Year Grad Lab

2022 Fall: Columbia College Chicago

MUSC-174: Applied Music I (Laptop)

MUSC-601: Media Music Tech Lab First-Year Grad Lab

Granted a course relief to develop projects for tenure process

2022 Spring: Columbia College Chicago

MEDI-481: The Sonic Experience

MUSC-228: Digital Music Composition & Performance

MUSC-272: Secondary Digital Music Composition Lessons

MUSC-373: Digital Music Composition Lessons, Level 1

MUSC-473: Digital Music Composition Lessons, Level 2

MUSC-601: Media Music Tech Lab First-Year Grad Lab

2021 Fall: Columbia College Chicago

MUSC-109: Foundations of Music Supplement

MUSC-228: Digital Music Composition & Performance

MUSC-272: Secondary Digital Music Composition Lessons

MUSC-373: Digital Music Composition Lessons, Level 1

MUSC-473: Digital Music Composition Lessons, Level 2

MUSC-601: Media Music Tech Lab Second-Year Grad Lab

2021 Summer: Columbia College Chicago

MUSC-151: Digital Music Production 1

2021 Spring: Columbia College Chicago

MUSC-111: Foundations of Music 2

MUSC-228: Digital Music Composition & Performance 1

MUSC-272: Secondary Digital Music Composition Lessons

MUSC-373: Digital Music Composition Lessons, Level 1

MUSC-473: Digital Music Composition Lessons, Level 2

MUSC-495: Directed Study - Mixing and Mastering MIDI Mock-Ups

MUSC-601: Media Music Tech Lab First-Year Grad Lab

2020 Fall: Columbia College Chicago

AUDI-496: Independent Project - Music Mastering

MUSC-228: Digital Music Composition & Performance 1

MUSC-373: Digital Music Composition Lessons, Level 1

MUSC-473: Digital Music Composition Lessons, Level 2

MUSC-495: Directed Study - Realistic MIDI Mock-Ups

MUSC-601: Media Music Tech Lab First-Year Grad Lab

MUSC-601: Media Music Tech Lab Second-Year Grad Lab

2020 Summer: Columbia College Chicago - Online

Sound Design for Immersive Media

2020 Summer: Columbia College Chicago

MUSC-151: Digital Music Production 1

2020 Spring: Columbia College Chicago - Online

Sound Design for Immersive Media

2020 Spring: Columbia College Chicago

AUDI-496: Independent Project - Building Advanced Modular Devices

MEDI-481: The Sonic Experience

MUSC-228: Digital Music Composition & Performance 1

MUSC-272: Secondary Digital Music Composition Lessons

MUSC-373: Digital Music Composition Lessons, Level 1

MUSC-473: Digital Music Composition Lessons, Level 2

MUSC-601: Media Music Tech Lab First-Year Grad Lab

2019 Fall: Columbia College Chicago - Online

Sound Design for Immersive Media

2019 Fall: Columbia College Chicago

MUSC-228: Digital Music Composition & Performance 1

MUSC-373: Digital Music Composition Lessons, Level 1

MUSC-473: Digital Music Composition Lessons, Level 2

MUSC-601: Media Music Tech Lab First-Year Grad Lab

MUSC-601: Media Music Tech Lab Second-Year Grad Lab

2019 Summer: Columbia College Chicago

MUSC-151: Digital Music Production 1

2019 Spring: Northwestern University

Foundations of Music Technology

2019 Spring: Columbia College Chicago

MUSC-272: Secondary Digital Music Composition Lessons

MUSC-373: Digital Music Composition Lessons, Level 1

MUSC-428: Digital Music Composition & Performance 2

MUSC-473: Digital Music Composition Lessons, Level 2

MUSC-475: Private Lessons - Senior Recital

MUSC-601: Media Music Tech Lab First-Year Grad Lab

2019 Winter: Northwestern University

Foundations of Music Technology

2018 Fall: Columbia College Chicago

MUSC-228: Digital Music Composition & Performance 1

MUSC-373: Digital Music Composition Lessons, Level 1

MUSC-473: Digital Music Composition Lessons, Level 2

MUSC-601: Lab (Tutorial) Year One Grad Lab

MUSC-601: Lab (Tutorial) Year Two Grad Lab

2018 Fall: Northwestern University

Foundations of Music Technology

2018 Spring: Northwestern University

Foundations of Music Technology

2018 Spring: Columbia College Chicago

32-3262: Digital Music Composition & Performance 2

32-2791: Digital Music Composition Lessons, Level 1

32-3791: Digital Music Composition Lessons, Level 2

32-6901: Lab (Tutorial) Year One Grad Lab

75-3101: The Sonic Experience

2018 Winter: Northwestern University

Foundations of Music Technology

2017 Fall: Columbia College Chicago

32-2261: Digital Music Composition & Performance 1

32-2791: Digital Music Composition Lessons, Level 1

32-3791: Digital Music Composition Lessons, Level 2

32-3797: Private Lessons: Senior Recital

32-6901: Lab (Tutorial) Year One Grad Lab

32-6901: Lab (Tutorial) Year Two Grad Lab

2017 Fall: Northwestern University

Foundations of Music Technology

2017 Summer: Columbia College Chicago

32-1915T: Technology for Musicians I

2017 Spring: Northwestern University

Foundations of Music Technology

2017 Spring: Columbia College Chicago

32-3262: Digital Music Composition & Performance 2

32-2791: Digital Music Composition Lessons, Level 1

32-2792: Secondary Composition Lessons

32-6901: Lab (Tutorial) Year One Grad Lab

32-3995: Directed Study - Digital Music Composition

2017 Winter: Northwestern University

Foundations of Music Technology

2016 Fall: Columbia College Chicago

32-2261: Digital Music Composition & Performance 1

32-2791: Digital Music Composition Lessons, Level 1

32-2792: Secondary Composition Lessons

32-6901: Lab (Tutorial) Year One Grad Lab

32-6901: Lab (Tutorial) Year Two Grad Lab

2016 Fall: Northwestern University

Foundations of Music Technology

2016 Summer: Columbia College Chicago

32-0921: Introduction to Digital Music Production & Performance

2015 Spring: Northwestern University

Foundations of Music Technology

2016 Winter: Northwestern University

Class Composition (Music)

2015 Fall: Columbia College Chicago

32-2261: Digital Music Composition & Performance 1

32-2791: Digital Music Composition Lessons, Level 1

32-6901: Lab (Tutorial) Year Two Grad Lab

2015 Fall: Northwestern University

Foundations of Music Technology

2015 Summer: Columbia College Chicago

32-0921: Introduction to Digital Music Production & Performance

2015 Spring: Northwestern University

Foundations of Music Technology

2015 Spring: Columbia College Chicago

32-2791: Composition Lessons, Level 1

32-3791: Composition Lessons, Level 2

2015 Winter: Northwestern University

Foundations of Music Technology

2014 Fall: Columbia College Chicago

32-2791: Composition Lessons, Level 1

32-6901: Lab (Tutorial) Year One Grad Lab

32-6901: Lab (Tutorial) Year Two Grad Lab

2014 Fall: Northwestern University

Foundations of Music Technology

2014 Summer: Columbia College Chicago

32-0921: Beginning MIDI

2014 Spring: Northwestern University

Foundations of Music Technology

2014 Spring: Columbia College Chicago

32-3797: Private Lessons - Senior Recital

2014 Winter: Northwestern University

Foundations of Music Technology

2013 Fall: Northwestern University

Introduction to Music Technology

2013 Fall: Columbia College Chicago

32-2261: Digital Music Composition

2013 Summer: Columbia College Chicago

32-0921: Beginning MIDI

2013 Spring: Northwestern University

Aural Skills III

2013 Spring: Columbia College Chicago

32-3995: Directed Study - Experimental Sound Ensemble

2013 Winter: Northwestern University

Aural Skills II

2012 Fall: Northwestern University

Aural Skills I

2012 Fall: Columbia College Chicago

32-3995: Directed Study - Experimental Sound Ensemble

32-3995: Directed Study - Techniques in Electronic Composition

2012 Spring: Columbia College Chicago

32-2791: Private Lessons - Electronic Music Composition

32-2792: Secondary Private Lessons - Electronic Music Composition

32-2911: Introduction to MIDI/Pro Tools

32-3791: Private Lessons - Advanced Electronic Music Composition

2011 Fall: Columbia College Chicago

32-2912: Advanced MIDI/Pro Tools